• New York Press: “Peter Blecha has written the first comprehensive history of music censorship.”
  • Riverfront Times: "Taboo Tunes is a compendium of teenage rebellion and adult fear; it's a great read.”
  • NPR All Songs Considered: "Taboo Tunes is about the power of music and the authorities who seek to control it.”
  • Nighttimes.com: "This book is an important piece of musical scholarship peppered with a wry wit and perceptiveness that demands attention."
  • San Francisco Chronicle: "Taboo Tunes romps through centuries of public outrage over music of every sort, from bawdy tavern ditties to gritty hip-hop.”
  • North Bay Bohemian: Taboo Tunes reads like an essential primer for a Culture Wars 101 course. Blecha does a good job of exposing the morality police as they continue their self-righteous attacks.”
  • San Francisco Bay Guardian: "Taboo Tunes offers a studious yet highly entertaining reminder that the relationships among art, commerce, morality, and free speech are forever being renegotiated, often without our consent. Blecha's escalating outrage is refreshingly partisan, and many morsels throughout Taboo Tunes are revelatory.”
  • Allan Handelman, Rock Talk radio: "Blecha has tapped into the magic of Rock N' Roll folklore. ...Taboo Tunes is a must-read for music lovers, pop culture historians and government watchdogs...this book is compelling.”
  • New Times Broward-Palm Beach: Taboo Tunes is an amazing and witty history of lawmen and moral busybodies with too much time on their hands.”
  • DIW: “Armed with two decades of research and a commendable agenda, Blecha brings us Taboo Tunes, his new user-friendly tome that chronicles and comments on the censorship of popular musicians and their creations.”
  • Shredding Paper: “...an engaging and informative read about musical censorship and hopefully one that'll encourage folks to fight for their respective music of choice next time it comes under attack.”
  • AM New York City: "Like Howard Zinn's seminal A People's History of the United States, Blecha's book is a study of the edges of sanctioned culture. ...The histories are immensely valuable, especially in the current climate, where censorship in the mainstream often results in absurdly Victorian modesty.”